This slide projection stages two displacements: a crucifix is placed upon the political square, while two bald heads are misread as intimate body parts. As Roland Barthes suggested, photography always produces an uncontrollable punctum—here, desire is projected onto images that are originally “unrelated to desire.”
The work exposes the absurdity of both faith and vision: as Lacan argued, we are always determined by the gaze; as Foucault noted, meaning emerges only through misplacement and arrangement. Humor and profanity entwine, destabilizing both the “sacred” and the “erotic.”